MULTIplay Workshop 2: Ambisonic Mixing

Multiplay Workshop 1: Ambisonic Recording - By Ian Campbell March 7th 2020 1pm-4pm Riddell Building (Basement) University of Regina

Participants will learn to work with Adobe software to edit and mix ambisonic recordings made with the Zoom HVR3 recorder. This workshop will build on concepts learned in Workshop 1, although it is not necessary to take both. You will learn introductory concepts to mix these tracks into various formats for various playback devices. The goal of this workshop is to create the beginnings of a spatialized sound installation, VR sound space or ambisonic sound recording.

You can Download the PDF of this lecture HERE.

MULTIplay Workshop 1: February 15, 2020

Workshop 1: Ambisonics - By Ernie Dulanowsky Feb 15th 2020 1pm-4pm RC040 - Riddell Building (Basement) University of Regina

This workshop will help participants experiment with the Zoom HVR3 Ambisonic recorder.

An ambisonic recording consists of 4 tracks recorded from 4 microphones arranged in a tetrahedral array. It allows musicians, sound artists and others to record immersive environments for spatialized sound playback. Participants will experiment with a variety of sound making and capturing techniques for ambisonic recording. Participants may wish to download the H3 Control App for use on the day : https://apps.apple.com/ca/app/h3-control/id1438070344.

Listening Station at the RPL: Nora Lorway

Holophon is proud to present sound work by Norah Lorway at the @dunlop_art_gallery media lounge January 10 - March 9, 2020.

in real life
greenland 5:102.
in real life 4:403.
softwave 5:44

https://xylemrecords.bandcamp.com/album/in-real-life

I am an electronic music composer, academic and programmer. 

I currently lecture and research full time as a Lecturer (UK Equiv. Assistant Professor) at Falmouth University in Cornwall, United Kingdom, teaching and research in creative coding, music technology, and new media medicine. 

My main research area as of present is focused on digital health care, particularly the use of immersive and artificial intelligence technologies to support and assist with various psychiatric and neurological disorders and issues. 

I also have a 10+ year background working and researching in the areas of Human Computer Interaction, Spatial Computing, Creative Computing, AI, VR/MR game experiences, immersive sound and make wearable tech for a variety of purposes. I also live code techno (and other music) at algoraves around the world in venues and festivals such as Norberg Festival (Sweden), Corsica Studios (London, UK), Incubate Festival (NL).  I have a background in constructing 3D printed sensor based wearables for use with sound performance. I also create atmospheric games for mobiles and personal computers.

I have run the electronic music label, xylem records since 2012, and compose algorithmic music, audio visual and  music for film, more recently, Anthropocene: The Human Epoch which premiered at the Toronto International Film Festival in 2018, Sundance Film Festival in 2019, Berlin International Film Festival in 2019, amongst others. ​

You can listen to more of Norah Lorway’s music at: https://xylemrecords.bandcamp.com